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</script><h1>Martin Pierre Marsick</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Martin+Pierre+Marsick/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tenor</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Martin_Pierre_Marsick">Wikipedia</a><div class="p">Martin Pierre Joseph Marsick (9 March 1847 in Jupille-sur-Meuse – 21 October 1924 in Paris), was a Belgian violin player, composer and teacher. His violin was made by Antonio Stradivari in 1705 and has since become known as the Ex Marsick Stradivarius. It was the instrument of David Oistrakh from 1966–74. Marsick's nephew, Armand Marsick, the son of his brother Louis François, was a major violinist of the 20th century.</div><div class="p">In 1854, seven-year-old Marsick was admitted to the Royal Conservatory of Music in Liège, to study violin with Désiré Heynberg (1831–1898). Graduating with the gold medal in 1864, he continued his studies in Brussels with <a href="http://en.instr.scorser.com/C/Tenor/Hubert+L%c3%a9onard/All/Popularity.html">Hubert Léonard</a> and became the pupil of Joseph Massart at the Paris Conservatory in 1868.</div><div class="p">In 1871, Marsick joined the newly established Société Nationale de Musique in Paris and also founded a string quartet. Between 1875 and 1895, he performed in concerts in collaboration with the leading conductors in Paris - Charles Lamoureux, Jules Pasdeloup, and Édouard Colonne, while also touring the rest of Europe and the United States. He played additionally with <a href="http://en.instr.scorser.com/C/Tenor/Joseph+Joachim/All/Popularity.html">Joseph Joachim</a> and in a trio with the cellist <a href="http://en.instr.scorser.com/C/Tenor/Anatoliy+Brandukov/All/Popularity.html">Anatoliy Brandukov</a> and the pianist Vladimir von Pachmann.</div><div class="p">From 1892 until 1900, he was a professor at the Paris Conservatory, where his students included <a href="http://en.instr.scorser.com/C/Tenor/Carl+Flesch/All/Popularity.html">Carl Flesch</a>, Jacques Thibaud, <a href="http://en.instr.scorser.com/C/Tenor/C%c3%a9cile+Chaminade/All/Popularity.html">Cécile Chaminade</a> and <a href="http://en.instr.scorser.com/C/Tenor/George+Enescu/All/Popularity.html">George Enescu</a>. In 1900, he deserted his wife Berthe Marsick née Mollot (1848–1923; married 1872; divorced 1910) and his pupils and fled abroad with a married woman. Although the woman later rejoined her husband and Marsick returned to Paris in 1903, his professional career never recovered from the scandal and he died in poverty.</div><div class="p">Marsick published a series of finger exercises entitled Eureka in 1906 and his La Grammaire du violon appeared in 1924. Besides these, he composed the septet Souvenir de Naples for strings, flute, and clarinet; a piano quartet; and a lyric drama, Le Puits.</div></body></html>