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</script><h1>Nicolas Métru</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Nicolas+M%c3%a9tru/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tuba</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Nicolas_Métru">Wikipedia</a><div class="p">Nicolas Métru (ca. 1610 in Bar-sur-Aube – 1668 Paris) was a French organist, viol player, and composer of pieces for viol and airs. From 1642 he was organist at St. Nicolas-des-Champs, then some time later master of music for the Jesuits. He taught Couperin and <a href="http://en.instr.scorser.com/C/Tuba/Jean-Baptiste+Lully/All/Popularity.html">Lully</a> and was an outstanding viol player.</div><div class="p">His first publication - which survives - was a collection of laudatory airs to verse by Guillaume de Baïf, a minor poet but son of Jean-Antoine de Baïf, for the victorious return of <a href="http://en.instr.scorser.com/C/Tuba/Louis+XIII/All/Popularity.html">Louis XIII</a> to Paris in 1628 after the end of the 14-month siege of Protestant La Rochelle. His third collection of airs also contains laudatory texts, for the marriage of Louis XIV.</div><div class="p">His duets for two viols (Paris, 1642) are the first printed example, and therefore probably antedate the duets of <a href="http://en.instr.scorser.com/C/Tuba/Monsieur+de+Sainte-Colombe/All/Popularity.html">Sainte-Colombe</a>. His fantasias for viols, as those of Henry and Moulinié, derive from the air de cour and the dance rather than older styles. His 1642 publication reflects the change in development of the viol in the 1630-1650s with the upper parts being written with the new smaller viols in mind.</div><div class="p">Works</div><div class="p">Editions The CMBV have prepared editions of his duets.</div><div class="p">Recordings</div><div class="p">Jean-Paul C. Montagnier, The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks, Cambridge: Cambridge University Press, 2017.</div></body></html>