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</script><h1>Pietro Alessandro Guglielmi</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Pietro+Alessandro+Guglielmi/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Viola</h2><div class="hd"><a href="#parts">#Parts for: Viola</a></div><div class="clear10"></div><h2 id="parts">Parts for: Viola</h2><a href="http://en.instr.scorser.com/CC/Viola/Pietro+Alessandro+Guglielmi/Debora+e+Sisara.html">Debora e Sisara</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Pietro_Alessandro_Guglielmi">Wikipedia</a><div class="p">Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period.</div><div class="p">Guglielmi was born in Massa. He received his first musical education from his father Jacopo, and afterwards studied under <a href="http://en.instr.scorser.com/C/Viola/Francesco+Durante/All/Popularity.html">Francesco Durante</a> at the Conservatorio di Santa Maria di Loreto at Naples. His first operatic work, produced at Turin in 1755, established his reputation, and soon his fame spread beyond the limits of his own country, so that in 1762 he was called to Dresden to conduct the opera there. He remained for some years in Germany, where his works met with much success, but the greatest triumphs were reserved for him in England.</div><div class="p">He went to London, according to <a href="http://en.instr.scorser.com/C/Viola/Charles+Burney/All/Popularity.html">Charles Burney</a>, in 1768, but according to <a href="http://en.instr.scorser.com/C/Viola/Francesco+Florimo/All/Popularity.html">Francesco Florimo</a> in 1772, returned to Naples in 1777. He continued to produce operas at an astounding rate, but was unable to compete successfully with the younger masters of the day. In 1793 he became maestro di cappella at St Peter's, Rome, where he died in 1804.</div><div class="p">He was a very prolific composer of Italian dramma giocoso and commedia per musica operas, and there is in most of his scores a vein of humour and natural gaiety not surpassed by <a href="http://en.instr.scorser.com/C/Viola/Domenico+Cimarosa/All/Popularity.html">Domenico Cimarosa</a> himself. In opera seria he was less successful. But here also he shows at least the qualities of a competent musician. Considering the enormous number of his works, his unequal workmanship and the frequent instances of mechanical and slipshod writing in his music need not surprise us.</div><div class="p">He also wrote oratorios and miscellaneous pieces of orchestral and chamber music. Of his eight sons two at least acquired fame as musicians: Pietro Carlo Guglielmi (1763-1827), a successful imitator of his father's operatic style, and Giacomo Guglielmi, an excellent singer.</div><div class="p">See List of operas by Pietro Alessandro Guglielmi.</div></body></html>