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</script><h1>Marcin Mielczewski</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Marcin+Mielczewski/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Violin</h2><div class="clear10"></div><div class="hd"><a rel="nofollow" href="http://en.instr.scorser.com/C/Violin/Marcin+Mielczewski/All/Popularity.html">by popularity</a></div><div class="clear10"></div><a href="http://en.instr.scorser.com/CC/Violin/Marcin+Mielczewski/Benedictio+et+claritas.html">Benedictio et claritas</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Marcin_Mielczewski">Wikipedia</a><div class="p">Marcin Mielczewski (c. 1600 – September 1651) was, together with his tutor <a href="http://en.instr.scorser.com/C/Violin/Franciszek+Lilius/All/Popularity.html">Franciszek Lilius</a> and <a href="http://en.instr.scorser.com/C/Violin/Bart%c5%82omiej+P%c4%99kiel/All/Popularity.html">Bartłomiej Pękiel</a>, among the most notable Polish composers in the 17th century.</div><div class="p">By 1632 he was a composer and musician in the royal chapel in Warsaw. In 1645 he became director of music to Charles Ferdinand Vasa, the brother of King Władysław IV. Mielczewski died in Warsaw in September 1651.</div><div class="p">His known works are largely in the concertato style, and Szweykowski suggests that the way "in which the words are given full expression" means he is likely to have composed secular vocal works in addition to the surviving sacred corpus. In his mass O glorioso domina and one of his instrumental canzonas, Mielczewski quotes popular Polish tunes; the latter is notable for being the earliest documented use of the mazurka in classical music.</div></body></html>