Violin Solo
Violin + ...
For beginners

Niels Gade

All Compositions

Compositions for: Violin

#Arrangements for: Violin
#Parts for: Violin
by alphabet
4 Fantasiestücke for Clarinet and Piano, Op.43Novelletten, Op.29Piano Trio, Op.42Violin Sonata No.1, Op.6String Octet, Op.17CapriccioViolin Sonata No.2, Op.21String Quartet No.1, Op.63String Quintet in F minorViolin Sonata No.3, Op.59Violin Concerto, Op.56Volkstänze, Op.62String Quintet, Op.8String Sextet, Op.44

Arrangements for: Violin

Akvareller, Op.19Piano Trio, Op.42Efterklange af Ossian, Op.13 Albumblade, WoO 1084 Phantasiestücke, Op.314 Idyllen, Op.34CapriccioAgnete and the Merman, Op.3Violin Concerto, Op.563 Digte, Op.21bA Folk Tale

Parts for: Violin

Efterklange af Ossian, Op.1String Octet, Op.17Symphony No.4, Op.20String Quartet No.1, Op.63Hamlet, Op.37Agnete and the MermaidsImellem FjeldeneSymphony No.8, Op.47Symphony No.5, Op.25Michel Angelo, Op.39Im Hochland, Op.7String Quintet, Op.8String Sextet, Op.44
Niels Wilhelm Gade (22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. He is considered the most important Danish musician of his day.
Gade was born in Copenhagen, the son of a joiner and instrument maker. He began his career as a violinist with the Royal Danish Orchestra, which premiered his concert overture Efterklange af Ossian ("Echoes of Ossian") in 1841. When his first symphony was turned down for performance in Copenhagen, he sent it to Felix Mendelssohn. Mendelssohn received the work positively, and conducted it in Leipzig in March 1843, to enthusiastic public reaction. Supported by a Danish government fellowship, Gade moved to Leipzig, teaching at the Conservatory there, working as an assistant conductor of the Gewandhaus Orchestra, and befriending Mendelssohn, who had an important influence on his music. In 1845 he conducted the premiere of Mendelssohn's Violin Concerto in E minor. He also became friends with Robert Schumann and Robert Franz.
At Mendelssohn’s death in 1847, Gade was appointed to his position as chief conductor but was forced to return to Copenhagen in the spring of 1848 when war broke out between Prussia and Denmark. In Copenhagen Gade became acquainted with the composer Cornelius Gurlitt and they remained friends until the latter's death. Gade became director of the Copenhagen Musical Society (Musikforeningen), a post he retained until his death. He established a new orchestra and chorus, while settling into a career as Denmark's most prominent musician. Under his direction, the Music Society reached its peak. He also worked as an organist; though he lost the prestigious position of organist at Our Lady, today's Copenhagen Cathedral, to Johan Peter Emilius Hartmann, he served in the Holmen Church in Copenhagen from 1850 until his death. Gade was joint director of the Copenhagen Conservatory with Hartmann (whose daughter he married in 1852) and Holger Simon Paulli. An important influence on a number of Scandinavian composers, he encouraged and taught Edvard Grieg, Carl Nielsen, Louis Glass, Elfrida Andrée, Otto Malling, August Winding and Asger Hamerik.
Among Gade's works are eight symphonies, a violin concerto, chamber music, organ and piano pieces and a number of large-scale cantatas, Comala (1846) and Elverskud (1853) among them, which he called "concert pieces" (koncertstykker). These products, embraced post-1848 as works of Romantic nationalism, are sometimes based on Danish folklore. Apparently Gade never rated "The Bridal Waltz" (Brudevalsen). It was rescued by August Bournonville in his ballet A Folk Tale (Et folkesagn) and became an essential part of Danish weddings.
In 1852 Gade married Emma Sophie Amalie Hartmann, daughter of Johan Peter Emilius Hartmann. He remarried in 1857 after her death. He died in Copenhagen.
See List of compositions by Niels Gade