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</script><h1>La Folle<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/All/Albert+Grisar/All/Alphabeticly.html">Grisar Albert</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Voice/All/All.html">Voice</a> <a href="http://en.instr.scorser.com/SS/Piano/All/All.html">Piano</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/All/All/Romance.html">Romance</a> </h2><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/587756.html" target="_blank"">Complete Score PDF 12 MB</a><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Albert_Grisar">Wikipedia</a><div class="p">Albert Grisar (25 December 1808 – 15 June 1869) was a Belgian composer, mainly active in Paris.</div><div class="p">Born in Antwerp, Grisar's family had intended for him to pursue a tradesman's career, but he defied their wishes to devote himself to music. He studied in Antwerp with Joseph Janssens, in Paris under <a href="http://en.instr.scorser.com/CC/All/Anton+Reicha/Anton+Reicha.html">Anton Reicha</a>, and in the mid-1840s in Naples with <a href="http://en.instr.scorser.com/C/All/Saverio+Mercadante/All/Popularity.html">Saverio Mercadante</a>. Grisar was a successful comic opera composer, first winning success in Brussels in 1833 and in Paris later in the decade. He collaborated with <a href="http://en.instr.scorser.com/CC/All/Johann+Friedrich+Franz+Burgm%c3%bcller/Friedrich+von+Flotow.html">Flotow</a> on L'Eau merveilleuse (1839), with Flotow and <a href="http://en.instr.scorser.com/C/All/Auguste+Pilati/All/Popularity.html">Auguste Pilati</a> in La Naufrage de la Méduse (1839), and with <a href="http://en.instr.scorser.com/C/All/Fran%c3%a7ois-Adrien+Boieldieu/All/Popularity.html">François-Adrien Boieldieu</a> on L'Opéra à la cour (1840). When he received a grant from the Belgian government in 1840 to study music of Belgian composers in Italy, he instead used his time in Rome and Naples to study compositional techniques of the comic opera. His Parisian works of the late 1840s and early 1850s were particularly well received by audiences.</div><div class="p">He died in Asnières near Paris.</div></body></html>