Composers

Polonaises Op. 40

Composer: Chopin Frédéric

Instruments: Piano

Tags: Polonaise Dance

#Arrangements

Download free scores:

Allegro con brio (No.1). Complete Score PDF 11 MB
Allegro con brio (No.1). Complete Score PDF 13 MB
Allegro con brio (No.1). Complete Score PDF 0 MB

Arrangements:

Other

Allegro con brio (No.1). Piano(2) (Carl Burchard)Allegro con brio (No.1). Piano (Géza Zichy)Allegro maestoso (No.2). Piano (Cink, Antoni)Allegro con brio (No.1). Piano + Violin (August Schulz)Allegro con brio (No.1). Organ (William Thomas Best)Allegro con brio (No.1). Organ (Smith Newell Penfield)
Wikipedia
The twin Op. 40 Polonaises of the Polonaise in A major, Op. 40, No. 1 (nicknamed the Military Polonaise) and the Polonaise in C minor, Op. 40, No. 2 were composed by Frédéric Chopin in 1838.
Arthur Rubinstein remarked that the Polonaise in A major is the symbol of Polish glory, whilst the Polonaise in C minor is the symbol of Polish tragedy.
The beginning opens with an A major chord and continues in a typical polonaise rhythm. The key then changes into D major in the middle of the polonaise for a trio section, after which the opening is repeated with no changes except disregarding the repeat signs. The piece is almost entirely played forte or louder, which makes for a bombastic performance.
During the September 1939 German invasion of Poland at the outset of World War II, Polskie Radio broadcast this piece daily as nationalistic protest, and to rally the Polish people.
The beginning of this piece is used as the interval signal for Polskie Radio.
This piece is played in the famous scene in the Polish film Ashes and Diamonds at the end of an all-night party celebrating the end of the war.
In Season 3, episode 2 of Rectify, the closing credits roll to the A major Polonaise after Teddy is shown stalking Tawny, his estranged wife.
The second polonaise's main theme, a contrast to the majestic and joyful one in the first, features an even rhythm of quaver chords in the right hand starting with C minor, and a mournful melody played in octaves by the left, with occasional lines played by the right hand. It is interspersed with a more serene theme, before switching to the trio section in A♭ major, which incorporates typical polonaise rhythms. The main theme is then repeated but largely abridged, with an added dramatic melody in the right hand.
In Season 3 Episode 20 of Futurama, Bender plays the C minor Polonaise on a miniature piano while floating through space.