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</script><h1>Tra le fiamme<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/All/George+Frideric+Handel/All/Alphabeticly.html">Handel George Frideric</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Voice/All/All.html">Voice</a> <a href="http://en.instr.scorser.com/SS/Soprano/All/All.html">Soprano</a> <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/All/All/Secular+cantatas.html">Secular cantatas</a> <a href="http://en.instr.scorser.com/SS/All/All/Cantatas.html">Cantatas</a> </h2><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/282346.html" target="_blank"">Complete Score PDF 2 MB</a><div class="clear10"></div><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/All/George+Frideric+Handel/Tra+le+fiamme/Rondeau%2c+Michel/Organ%2bTrumpet.html">Aria: 'Voli perlària chi può volare'.  Organ + Trumpet (Rondeau, Michel)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Tra_le_fiamme_(Il_consiglio)_(Handel)">Wikipedia</a><div class="p">Tra le fiamme (Il consiglio) (HWV 170) is a dramatic secular cantata for soprano and instruments written by Georg Frideric Handel in 1707. Other catalogues of Handel's music have referred to the work as HG liiB,66; and <a href="http://en.instr.scorser.com/CC/All/George+Frideric+Handel/Hallische+H%c3%a4ndel-Ausgabe.html">HHA</a> v/5,55. The title of the cantata translates as "In flames (Counsel)".</div><div class="p">The text for the work was written by Cardinal Benedetto Pamphili. The payment on 6 July 1707 (recorded in Pamphili's account books) for the copying of a large cantata probably refers to Tra le fiamme.</div><div class="p">Using the analogy of butterflies attracted to a flame, and the story of Daedalus (who constructed wings made from wax and feathers for himself and his son Icarus), Pamphili uses the cantata to issue a warning to his audience: that the phoenix can rise from the flames, however the butterflies will be killed. It is possible that the cardinal was also directing the warning specifically to Handel, as there was a rumour at the time about a relationship between Handel (then twenty-two) and the singer Vittoria Tarquini (who was the mistress of Prince Ferdinand de' Medici of Florence).</div><div class="p">The work is scored for two recorders (flauto), oboes (hautbois), two violins, viola da gamba, a "Violone Grosso" (as specified in Handel's autograph) and, as customary practice in the 18th century, a harpsichord. The work is notable for having a virtuoso part for the viola da gamba. The cantata begins with an aria followed by two recitative-aria pairings, after which a final recitative is performed before an instruction to repeat ("Da Capo") the cantata's opening aria (an unusual feature in Handel cantatas).</div><div class="p">A typical performance of the work takes about seventeen and a half minutes.</div><div class="p">The work consists of seven movements (with the final movement being a partial repeat of the first):</div><div class="p">O mio core, per farti felice,</div><div class="p">e t'inganna una vaga beltà.</div><div class="p">Cadon mille farfalle nel foco,</div><div class="p">e si trova una sola fenice,</div><div class="p">che risorge se a morte sen va.</div><div class="p">O my heart, to make you happy, and are deceived by a fine beauty.</div><div class="p">A thousand butterflies fall into the fire,</div><div class="p">but there is only one phoenix,</div><div class="p">which rises from death.</div><div class="p">tessea con mano ardita</div><div class="p">e con tenera cera</div><div class="p">piuma a piuma aggiungea.</div><div class="p">Icaro, il fanciulletto</div><div class="p">sovente confondea</div><div class="p">l'ingegnoso lavoro;</div><div class="p">Ah, cosi mai trattato non avesse</div><div class="p">e cera e piume:</div><div class="p">Per chi non nacque augello</div><div class="p">il volare è portento,</div><div class="p">il cader è costume.</div><div class="p">Icarus, the young child confused the cunning work; Ah, so he should never have treated wax and feathers in this way:</div><div class="p">For those not born a bird, flying is a miracle and falling is customary.</div><div class="p">sciolse l'ali il giovinetto,</div><div class="p">e con l'aure già scherzando.</div><div class="p">Ma del volo sì gradito</div><div class="p">troppo ardito</div><div class="p">l'onda ancor va mormorando.</div><div class="p">But the flight so pleasing but too bold is still talked about by the murmuring waves.</div><div class="p">nel temerario volo</div><div class="p">molti gl'Icari son,</div><div class="p">Dedalo un solo.</div><div class="p">scorra veloce la terra il mare</div><div class="p">parta, ritorni né fermi il piè.</div><div class="p">Voli ancor l'uomo ma coi pensieri</div><div class="p">che delle piume ben più leggeri</div><div class="p">e più sublimi il ciel gli diè.</div><div class="p">Man may fly, but with thoughts far lighter and sublime than the wings that heaven gave him.</div><div class="p">ferma il pensier nel suolo</div><div class="p">e poi dispone il volo</div><div class="p">con ali che si finge, e in sé non ha.</div></body></html>