Composers

Ich habe meine Zuversicht , BWV 188

Composer: Bach Johann Sebastian

Instruments: Voice Soprano Alto Tenor Bass Mixed chorus Orchestra

Tags: Sacred cantatas Cantatas Religious music

#Arrangements

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Arrangements:

Other

Aria: 'Ich habe meine Zuversicht' (No.2). Organ + Trumpet (Rondeau, Michel)Aria: 'Ich habe meine Zuversicht' (No.2). String quartet (Peter Lange-Müller)Recitative: 'Gott meint es gut mit jedermann' (No.3). String trio (Peter Lange-Müller)Aria: 'Unerforschlich ist die Weise' (No.4). Organ + Alto (Alain Brunet)
Wikipedia
Ich habe meine Zuversicht (I have [placed] my confidence), BWV 188, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the 21st Sunday after Trinity and probably first performed it on 17 October 1728.
Bach composed this cantata for the 21st Sunday after Trinity. However, the score was "cut to pieces and sold to private individuals" in the 1800s; the work as it now exists is a reconstruction.
The prescribed readings for the day were Ephesians 6:10–17, and John 4:46–54. The text for movements 2 to 5 was written by Picander. The sixth movement is an anonymous chorale written before 1603.
The work is scored for four solo voices (soprano, alto, tenor, and bass), a four-part choir, two oboes, taille, two violins, viola, organ, and basso continuo.
The piece has six movements:
The opening sinfonia for solo organ and orchestra derives from the third movement of Bach's keyboard concerto in D minor, BWV 1052.
The tenor aria has been compared to movements from both the French Suites and the Fifth English Suite. It opens with a string ritornello doubled by oboe; the two parts move into counterpoint after the tenor enters. Formally, the movement has an extended two-part A section before moving to a B section remarkable for its emphasis on instrumental arpeggiation.
The bass recitative is secco and concludes with a pastoral arioso.
The alto aria is "dark and dramatic", in E minor with cello and organ obbligato. The organ line is complex, contributing to a movement that is "a complex and ever-changing kaleidoscope of richly entwined rhythms and melodies".
The soprano recitative is short and accompanied by chordal strings. The final movement is a four-part setting of the chorale tune, doubled by oboe, taille, and strings.