Composers

Novelletten

Composer: Schumann Robert

Instruments: Piano

Tags: Piece

#Arrangements

Download free scores:

Selections. 8. Sehr lebhaft PDF 1 MB
Selections. 8. Sehr lebhaft PDF 0 MB
Selections. 1. Markirt und kräftig PDF 1 MBSelections. 2. Ausserst rasch und mit Bravour PDF 2 MBSelections. 8. Sehr lebhaft PDF 2 MB
Selections. Nos.1-2 PDF 0 MBSelections. Covers PDF 0 MB

Arrangements:

Other

Ballmassig. Sehr munter (No.4). Piano four hands (Salomon Jadassohn)Markirt und kräftig (No.1). Guitar (Francisco Tárrega)
Wikipedia
The Novelletten, Op. 21, is a set of eight pieces for solo piano, written by Robert Schumann in 1838. This composition is dedicated to Adolf von Henselt.
The Novelletten were composed during February 1838, a period of great struggle for the composer. Schumann originally intended the eight pieces to be performed together as a group, though they are often performed separately.
This set of pieces is an excellent example of Schumann's keyboard style.
This piece contains seven sections, alternating between a staccato march and flowing legato passages. The piece is a modified Rondo form.
This virtuosic piece is graceful and effective. An Intermezzo section in the middle contrasts and varies the piece.
This piece displays the composer's sense of humour through the use of rapid staccato chords. An Intermezzo section in the middle of the piece is used to contrast.
This piece is quite loosely organized in terms of structure; it is an interesting waltz that uses cross-rhythms and syncopation effectively.
This piece is in the form of a polonaise; its principal section contains three main ideas which are then overcome by the persistent rhythms of the Trio section.
This piece uses an increasing tempo to characterize the progression of sections. Starting from the staccato opening, each of the following passages are marked a few metronome beats faster until the coda, which returns to the original tempo.
This piece features a beautiful and lyrical middle section; it also features many virtuosic passages containing fast, brilliant octaves.
The concluding piece of the set is actually two pieces in one. The first part is a passionate étude in 2/4, the second has the nature of a march. It ends in D major, the prinipal key of the cycle.