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</script><h1>String Quartet No. 3<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Flute/Ludwig+van+Beethoven/All/Alphabeticly.html">Beethoven Ludwig van</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Violin/All/All.html">Violin</a> <a href="http://en.instr.scorser.com/SS/Viola/All/All.html">Viola</a> <a href="http://en.instr.scorser.com/SS/Cello/All/All.html">Cello</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/Flute/All/Quartet.html">Quartet</a> </h2><div class="hd"><a href="#parts">#Parts</a></div><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/4757.html" target="_blank"">Complete Score PDF 5 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/1546.html" target="_blank"">1. Allegro PDF 0 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/1547.html" target="_blank"">2. Andante con moto PDF 0 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/1549.html" target="_blank"">3. Allegro PDF 0 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/1548.html" target="_blank"">4. Presto PDF 0 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/21471.html" target="_blank"">Complete Score PDF 2 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/90196.html" target="_blank"">Complete Score PDF 3 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/274932.html" target="_blank"">Complete Score PDF 6 MB</a><div class="clear10"></div><h2 id="parts">Parts for:</h2><a href="http://en.instr.scorser.com/Pa/Ludwig+van+Beethoven/String+Quartet+No.+3/Flute.html">Flute</a><div class="clear10"></div><a href="http://en.instr.scorser.com/Pa/Ludwig+van+Beethoven/String+Quartet+No.+3/All.html">All</a><a href="http://en.instr.scorser.com/Pa/Ludwig+van+Beethoven/String+Quartet+No.+3/Violin.html">Violin</a><a href="http://en.instr.scorser.com/Pa/Ludwig+van+Beethoven/String+Quartet+No.+3/Viola.html">Viola</a><a href="http://en.instr.scorser.com/Pa/Ludwig+van+Beethoven/String+Quartet+No.+3/Cello.html">Cello</a><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/Flute/Ludwig+van+Beethoven/String+Quartet+No.+3/Louis+Winkler/Piano.html"> Piano (Louis Winkler)</a><a href="http://en.instr.scorser.com/Ar/Flute/Ludwig+van+Beethoven/String+Quartet+No.+3/R%c3%b6sler%2c+Gustav/Piano.html"> Piano (Rösler, Gustav)</a><a href="http://en.instr.scorser.com/Ar/Flute/Ludwig+van+Beethoven/String+Quartet+No.+3/Hugo+Ulrich/Piano_four_hands.html"> Piano four hands (Hugo Ulrich)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/String_Quartet_No._3_(Beethoven)">Wikipedia</a><div class="p">The String Quartet No. 3 in D major, Op. 18, No. 3, was written by <a href="http://en.instr.scorser.com/C/Flute/Ludwig+van+Beethoven/All/Popularity.html">Ludwig van Beethoven</a> between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz. Although it is numbered third, it was the first quartet Beethoven composed.</div><div class="p">It consists of four movements:</div><div class="p">According to Steinberg, this is "the gentlest, most consistently lyrical work [within Beethoven's Op. 18]", except for the fourth movement, in which "Beethoven first explores</div><div class="p">the idea of shifting the centre of gravity toward the end of a multimovement work".</div><div class="p"> The first movement starts with a gentle and unassuming theme:</div><div class="p"> However, its return at the start of the recapitulation shows the theme in an entirely different light. Philip Radcliffe (1965, p. 24) describes this moment as “beautifully contrived”. Burstein (1998, p. 295) describes the</div><div class="p">dramatic and unusual harmonic progression at the end of the development section as “breathtaking”.</div><div class="p">“The sudden reinterpretation of the C♯ creates a type of tonal crisis which has deep structural ramifications for the entire movement. Beethoven’s brilliant manner of dealing with the implications of this unusual strategy indicates a debt to his teacher, Haydn, and also reveals much about Beethoven’s own craft and artistic vision”.</div></body></html>