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</script><h1>Symphony No. 47<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Mezzo/Joseph+Haydn/All/Alphabeticly.html">Haydn Joseph</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/Mezzo/All/Symphony.html">Symphony</a> </h2><div class="hd"><a href="#parts">#Parts</a></div><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/620461.html" target="_blank"">Complete Score PDF 0 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/31528.html" target="_blank"">Complete Score PDF 3 MB</a><div class="clear10"></div><h2 id="parts">Parts for:</h2><a href="http://en.instr.scorser.com/Pa/Joseph+Haydn/Symphony+No.+47/Mezzo.html">Mezzo</a><div class="clear10"></div><a href="http://en.instr.scorser.com/Pa/Joseph+Haydn/Symphony+No.+47/All.html">All</a><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/Mezzo/Joseph+Haydn/Symphony+No.+47/William+Tindal/Keyboard.html"> Keyboard (William Tindal)</a><a href="http://en.instr.scorser.com/Ar/Mezzo/Joseph+Haydn/Symphony+No.+47/Unknown/Cello%2bPiano%2bViolin.html"> Cello + Piano + Violin (Unknown)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Symphony_No._47_(Haydn)">Wikipedia</a><div class="p"><a href="http://en.instr.scorser.com/C/Mezzo/Joseph+Haydn/All/Popularity.html">Joseph Haydn</a>'s Symphony No. 47 in G major Hob. I:47 was probably written in 1772. It was nicknamed "The Palindrome".</div><div class="p">Scored for 2 oboes, bassoon, 2 horns, and strings. It is in four movements:</div><div class="p">The opening movement begins with a hammerstroke and a dotted-rhythm fanfare of repeated notes which serves as the first theme for the sonata-form movement. The line between the development and recapitulation is blurred by the reappearance of the dotted-rhythm in G minor (the home tonic but the wrong mode) followed by standard recapitulation of the second theme group. The first theme is finally resolved in the concluding coda.</div><div class="p">The slow movement is a theme with four variations in invertible counterpoint. Through the third variation, each appearance of the ternary theme with winds appearing only in the middle section framed by muted strings in the outer sections. In the second outer section, the theme in two voices is inverted. Also, through each of the first three variations the surface rhythms are accelerating from eighth notes to sixteenth notes to triplet-sixteenths to thirty-seconds. The fourth variation varies from this pattern in that it is fully scored for the entire variation and serves as a recapitulation for the movement. What follows is a coda where the theme slowly dies away.</div><div class="p">The "Minuetto al Roverso" is the reason this symphony is sometimes called "The Palindrome": the second part of the Minuet is the same as the first but backwards, and the Trio is also written in this way.</div></body></html>