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Composer: Sarasate Pablo de

Instruments: Violin Orchestra

Tags: Airs


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Parts for:

AllViolinViolaTrumpetTimpaniOboeFrench hornFluteClarinetCelloBassoon



Violin + Orchestra (Charles Krauschaar) Piano + Violin (Unknown) Piano + Violin (Unknown) Piano + Violin (Unknown) Cello + Piano (Mandozzi, Orfeo) Violin + String instrument (Peterson, Philip C.) Piano + Viola (Zenon Dashak) Piano (George Enescu) Piano (Bensch, Albert) Piano (Unknown) Piano (Kleinmichel, Richard) Double bass + Piano (Neo Scott) Piano (Unknown)For Computer (Besset). (Roland Daniel Besset)
Zigeunerweisen (Gypsy Airs, Spanish: Aires gitanos), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate. It was premiered the same year in Leipzig, Germany. Like his contemporaries, Sarasate misidentified Hungarian folk music with the "gypsy music" of the Romani people, and the themes in the piece are not of Romani origin, but were all actually adapted from Hungarian music pieces: for instance, the third section borrows a melody by Hungarian composer Elémer Szentirmay, and the last section uses a theme from Franz Liszt's Hungarian Rhapsody No. 13, in the rhythm of the csárdás.
As one of Sarasate's most popular compositions and a favorite among violin virtuosos, the work has remained a staple on records at least since Sarasate himself recorded it in 1904, in collaboration with fellow composer Juan Manén as the accompanying pianist in the aforementioned recording, although the 3rd movement was omitted due to time constraints of records. Sarasate's voice is briefly heard in the middle of the record. Before the thunderous 4th movement, the following sentence can be heard: "Abajo el pedal de la sordina". It has been recorded by a large number of violinists.
Zigeunerweisen is scored for solo violin and an orchestra consisting of two flutes, two oboes, two clarinets in B-flat, two bassoons, two horns in F, two trumpets in F, timpani (in G-C and then E-A), triangle, and strings.
Sarasate also made an arrangement for piano and violin.
Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi:
It provided the title and much of the soundtrack for Seijun Suzuki's 1980 film Zigeunerweisen. Double bassist Edgar Meyer recorded a version with Mike Marshall on the 1997 album Uncommon Ritual. Stephen Chow featured it in the cartoon-inspired chase scene in his 2004 film Kung Fu Hustle, and it is in the Pixar short film One Man Band.