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</script><h1>Turkish Fragments<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Orchestra/Mikhail+Ippolitov-Ivanov/All/Alphabeticly.html">Ippolitov-Ivanov Mikhail</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/Orchestra/All/Suite.html">Suite</a> <a href="http://en.instr.scorser.com/SS/Orchestra/All/Sketches.html">Sketches</a> </h2><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/289167.html" target="_blank"">Complete Score PDF 13 MB</a><div class="clear10"></div><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/Orchestra/Mikhail+Ippolitov-Ivanov/Turkish+Fragments/Unknown/Piano.html"> Piano (Unknown)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Turkish_Fragments">Wikipedia</a><div class="p">Turkish Fragments, Op. 62 (Russian: Тюркские Фрагменты) is an orchestral suite written in 1930 by Russian composer <a href="http://en.instr.scorser.com/C/Orchestra/Mikhail+Ippolitov-Ivanov/All/Popularity.html">Mikhail Ippolitov-Ivanov</a> and published in 1931. This suite is sometimes titled as Orchestral Suite No. 3, even though there is no official numbering. This work for large orchestra was dedicated to Shevket Mamedova, an Azerbaijani soprano.</div><div class="p">This suite has four movements and would take approximately 15 minutes to perform. The movements are listed as follows:</div><div class="p">All of the movements use material drawn from Azerbaijani, Turkish, Uzbek and Kazakh folk music. The Turkish fragments contain dominant chimes strings and beats. The Caravan has a steady ambitious beat and a characteristic Turkish melody that goes on for the entire piece and the loudest of all the Fragments. At Rest is rhythmic but tranquil, with a central section of a livelier nature. Night is a peaceful, more quiet part and respects its name; it has plenty of Turkish melodies and also has a central, livelier section. Festival closes this suite. It consists of a dance, sounds upbeat and at times peaceful.</div><div class="p">Notable recordings of this suite include:</div></body></html>