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</script><h1>Symphony No. 28<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Physharmonica/Joseph+Haydn/All/Alphabeticly.html">Haydn Joseph</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/Physharmonica/All/Symphony.html">Symphony</a> </h2><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/561345.html" target="_blank"">Nos.1-3 PDF 25 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/31416.html" target="_blank"">Complete Score PDF 2 MB</a><div class="clear10"></div><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/Physharmonica/Joseph+Haydn/Symphony+No.+28/Hartkamp%2c+Marijn/Piano.html"> Piano (Hartkamp, Marijn)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Symphony_No._28_(Haydn)">Wikipedia</a><div class="p"><a href="http://en.instr.scorser.com/C/Physharmonica/Joseph+Haydn/All/Popularity.html">Joseph Haydn</a>'s Symphony No. 28 in A major, Hoboken I/28, was written in 1765.</div><div class="p">The work is scored for 2 oboes, bassoon, 2 horns, and strings with continuo.</div><div class="p">The work is in four movements:</div><div class="p">The first movement features a four-note motif with an answering 3-note one. The slow movement features muted strings and contrasts legato passages with dotted staccato sections that anticipate the slow movements of symphonies <a href="http://en.instr.scorser.com/CC/Physharmonica/Joseph+Haydn/Symphony+No.+60.html">60</a> and <a href="http://en.instr.scorser.com/CC/Physharmonica/Joseph+Haydn/Symphony+No.+65.html">65</a> where the juxtaposition of the two styles is more stark. The minuet features bariolage where the same note is heard repeated on different strings, an effect that would later give "The Frog" String Quartet, Op. 50 No. 6, its nickname. Mark Ferraguto has discussed Haydn's deliberate use of repetition in the trio section of the minuet.</div></body></html>