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</script><h1>Madrigal<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Solo/Gabriel+Faur%c3%a9/All/Alphabeticly.html">Fauré Gabriel</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Mixed+chorus/All/All.html">Mixed chorus</a> <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> <a href="http://en.instr.scorser.com/SS/Piano/All/All.html">Piano</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/Solo/All/Madrigal.html">Madrigal</a> </h2><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/27200.html" target="_blank"">Complete Score PDF 0 MB</a><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Madrigal_(Fauré)">Wikipedia</a><div class="p">"Madrigal", Op. 35 is a four-part song by <a href="http://en.instr.scorser.com/C/Solo/Gabriel+Faur%c3%a9/All/Popularity.html">Gabriel Fauré</a> to words by Armand Silvestre, composed in 1883. It is written to be sung by vocal quartet or choir, with piano or – a later addition – an orchestral accompaniment. The song was reused in 1919 in the composer's Masques et bergamasques.</div><div class="p">Fauré had a liking for Silvestre's poems, and set several of them. This one, titled "Pour un chœur alterné" by the author, is from Silvestre's 1878 collection, La chanson des heures. With its theme of young men and women accusing each other of selfishness and cruelty in affairs of the heart, Fauré set it as a mischievous wedding present for his friend and ex-pupil <a href="http://en.instr.scorser.com/C/Solo/Andr%c3%a9+Messager/All/Popularity.html">André Messager</a>, who was the dedicatee. The pianist and scholar Graham Johnson comments that the song has "the wittiness and suggestiveness of a speech by the best man at a wedding." The opening line of the music quotes a theme by J. S. Bach which may have had some private significance for the two friends.</div><div class="p">The song was first performed at a concert of the Société Nationale de Musique on 12 January 1884 by the société's choir. It was published by Hamelle in the same year. The premiere of the orchestral version was given by solo quartet and the société's orchestra on 30 April 1892. Fauré later incorporated the song in its orchestral form into his incidental music to Masques et bergamasques (1919).</div><div class="p">(Les jeunes gens) Inhumaines qui, sans merci, Vous raillez de notre souci, Aimez ! Aimez quand on vous aime !</div><div class="p">(Les jeunes filles) Ingrats qui ne vous doutez pas Des rêves éclos sur vos pas, Aimez ! Aimez quand on vous aime !</div><div class="p">(Les jeunes gens) Sachez, ô cruelles Beautés, Que les jours d'aimer sont comptés. Aimez ! aimez quand on vous aime !</div><div class="p">(Les jeunes filles) Sachez, amoureux inconstants, Que le bien d'aimer n'a qu'un temps. Aimez ! aimez quand on vous aime !</div><div class="p">(Ensemble) Un même destin nous poursuit Et notre folie est la même : C'est celle d'aimer qui nous fuit, C'est celle de fuir qui nous aime !</div><div class="p">(The young men) Inhuman women, who mercilessly Mock our cares, Love! Love when we love you!</div><div class="p">(The young women) Ungrateful men, who do not suspect The dreams you provoke as you go, Love! Love when we love you!</div><div class="p">(The young men) Know, O cruel beauties, That the days of love are numbered. Love! Love when we love you!</div><div class="p">(The young women) Know, fickle lovers, That true love lasts a single season Love! Love when we love you!</div><div class="p">(All) The same destiny pursues us And our folly is the same: It is loving those who flee us, It is fleeing those who love us!</div></body></html>