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</script><h1>Quatre études, Op. 7<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/String+ensemble/Igor+Stravinsky/All/Alphabeticly.html">Stravinsky Igor</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Piano/All/All.html">Piano</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/String+ensemble/All/%c3%89tude.html">Étude</a> </h2><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/591332.html" target="_blank"">Selections. 1. Con moto PDF 0 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/591333.html" target="_blank"">Selections. 2. Allegro brillante PDF 0 MB</a><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Quatre_études,_Op._7_(Stravinsky)">Wikipedia</a><div class="p">The Quatre études (Four Studies), Op. 7 are a collection of short études for piano by <a href="http://en.instr.scorser.com/C/String+ensemble/Igor+Stravinsky/All/Popularity.html">Igor Stravinsky</a>. They were composed between June and July 1908 in Ustilug, Russian Empire. Along with his Piano Sonata in F-sharp minor, the études are one of his major early works for piano.</div><div class="p">The four movements are listed as:</div><div class="p">These four études are focused on difficult and irregular rhythmical structures for pianists, countering tuplets with other rhythmically regular forms or other rhythmical structures that involve certain difficulty for performers.</div><div class="p">The first étude in C minor, dedicated to E. Mitusov, consists of a regular 4 with triplets against quintuplets or even septuplets at some point. The second étude in D major, dedicated to Nicolas Richter, is in 8 and opposes sixteenth notes against quadruplets and quintuplets. The third in E minor, dedicated to Andrey Rimsky-Korsakov, doesn't require much effort or experience in polyrhythm, while the long legato melody is in the middle voice and the accompaniment figures are in the upper registers. The main trait of the fourth étude in F-sharp major, which is dedicated to <a href="http://en.instr.scorser.com/C/String+ensemble/Nikolai+Rimsky-Korsakov/All/Popularity.html">Nikolai Rimsky-Korsakov</a>, is its syncopation, present throughout the étude.</div><div class="p">Although much of this music is still derivative of <a href="http://en.instr.scorser.com/C/String+ensemble/Fr%c3%a9d%c3%a9ric+Chopin/All/Popularity.html">Chopin</a>, <a href="http://en.instr.scorser.com/C/String+ensemble/Alexander+Scriabin/All/Popularity.html">Scriabin</a>, and <a href="http://en.instr.scorser.com/C/String+ensemble/Sergei+Rachmaninoff/All/Popularity.html">Rachmaninoff</a>, Stravinsky’s own voice asserts itself in the percussive final étude.</div></body></html>