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</script><h1>Francesca da Rimini<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/String+quartet/Sergei+Rachmaninoff/All/Alphabeticly.html">Rachmaninoff Sergei</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Voice/All/All.html">Voice</a> <a href="http://en.instr.scorser.com/SS/Mixed+chorus/All/All.html">Mixed chorus</a> <a href="http://en.instr.scorser.com/SS/Orchestra/All/All.html">Orchestra</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/String+quartet/All/Operas.html">Operas</a> </h2><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/24847.html" target="_blank"">Complete Score PDF 13 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/11329.html" target="_blank"">Complete Score PDF 10 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/251598.html" target="_blank"">Complete Score PDF 10 MB</a><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Francesca_da_Rimini_(Rachmaninoff)">Wikipedia</a><div class="p">Francesca da Rimini (Russian: Франческа да Римини), Op. 25, is an opera in a prologue, two tableaux and an epilogue by <a href="http://en.instr.scorser.com/C/String+quartet/Sergei+Rachmaninoff/All/Popularity.html">Sergei Rachmaninoff</a> to a Russian libretto by Modest Ilyich Tchaikovsky. It is based on the story of Francesca da Rimini in the fifth canto of Dante's epic poem The Inferno (the first part of the Divine Comedy). The fifth canto is the part about the Second Circle of Hell (Lust). Rachmaninoff had composed the love duet for Francesca and Paolo in 1900, but did not resume work on the opera until 1904. The first performance was on 24 January (O.S. 11 January) 1906 at the Bolshoi Theatre, Moscow, with the composer himself conducting, in a double-bill performance with another Rachmaninoff opera written contemporaneously, <a href="http://en.instr.scorser.com/CC/String+quartet/Sergei+Rachmaninoff/The+Miserly+Knight.html">The Miserly Knight</a>.</div><div class="p">The setting is the Malatesta castle around the end of the 13th century</div><div class="p">The ghost of Virgil leads the poet Dante to the edge of the first circle of the Inferno. They descend into the second, where the wordless chorus of the damned souls is heard. Virgil tells Dante that this is the realms where sinners given over to lust are punished, buffeted by an eternal whirlwind. Dante asks two such souls, Francesca and Paolo, to tell their story.</div><div class="p">In the castle courtyard, Lanciotto Malatesta is about to go off to war, but he admits that he no longer takes pleasure in war. Lanciotto is deformed, and knows that his wife, Francesca, does not love him. She had been tricked into marrying Lanceotto by being led to think that she would marry Paolo Malatesta, Lanciotto's handsome younger brother. Lanciotto is suspicious of Francesca and envious of Paolo. He plans to set a trap to catch them in adultery. Francesca then enters, affirming obedience to Lanciotto, but saying that she cannot love him. She asks when he will return, and Lanciotto says that he will not return until after the end of battle. When Francesca leaves, Lanciotto laughs.</div><div class="p">Paolo and Francesca are together, alone, in a room in the castle. Paolo tells the story of Sir Lancelot and Queen Guinevere, which parallels their own feelings. While doing so, Paolo declares his love for Francesca. Francesca resists initially, trying to remain faithful to Lanciotto. However, her own resistance erodes at Paolo's continued expressions of love, and her own desire for him. They sing of their secret love, and embrace. Lanciotto has returned, and sees the lovers together. He fatally stabs Paolo and Francesca.</div><div class="p">Paolo and Francesca recede into the whirlwind of the second circle. Dante is overcome with pity and terror, and he and Virgil remain with the thought: 'There is no greater sadness in the world than to remember a time of joy in a time of grief'.</div></body></html>