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Divine lodi musicali, Libro 3

Composer: Riccio Giovanni Battista

Instruments: Voice Soprano Tenor Recorder Cornett Alto Bass Trombone Violin Bassoon

Tags: Motet Canzona Sonata

Download free scores:

Complete. Cantus PDF 19 MBComplete. Alto PDF 1 MBComplete. Tenore PDF 2 MBComplete. Basso PDF 3 MBComplete. Partitura (Continuo) PDF 4 MB
Selections. Cantate con strumenti PDF 1 MBSelections. Cantate con strumenti PDF 1 MB
Selections. Canzon a una voce (Flautin overo Corneto) PDF 0 MBSelections. Canzon “La Finetta” (a doi, Violin & Trombon) PDF 0 MBSelections. Canzon “La Savoldi” (a doi Violin & Trombon) PDF 0 MBSelections. Canzon “La Pichi” (a doi, Violin & Trombon) PDF 0 MBSelections. Canzon “La Rizza” (a doi Violini) PDF 0 MBSelections. Canzon “La Grileta” (a doi Violini) PDF 0 MBSelections. Canzon “La Grimaneta” (a 2. Flautin & Fagoto) PDF 0 MBSelections. Canzon “La Rubina (a 3. doi violini overo Corneti, & Tromboni PDF 0 MBSelections. Canzon “La Moceniga” (a 4. doi Soprani & doi Bassi) PDF 0 MBSelections. Sonata a 4. PDF 0 MBSelections. Canzon a 4. “La Zaneta” PDF 0 MBSelections. Canzon a 4. “La Rosignola” PDF 0 MB
Canzon La Finetta. Violin PDF 3 MBCanzon La Finetta. Trombone PDF 3 MBCanzon La Finetta. Continuo PDF 3 MB
Selections. Ave Regina cælorum (una voce) PDF 0 MBSelections. Adoramus te Christe (una voce) PDF 0 MBSelections. Salve Regina (una voce) PDF 0 MBSelections. O quam gloriosa facta est (una voce) PDF 0 MBSelections. Jesu Rex admirabilis (una voce) PDF 0 MBSelections. Confitemini Domino (una voce) PDF 0 MBSelections. Laudate Dominum in sanctis ejus (una voce) PDF 0 MBSelections. O gloriosa Domina Regina Angelorum (una voce) PDF 0 MBSelections. Confiteor omnipotenti Beatæ Mariæ (una voce) PDF 0 MBSelections. Regina cœli (una voce) PDF 0 MB
Selections. O pretiosum et admirandum convivium (due voci) PDF 0 MBSelections. Jube Domine benedicere (due voci) PDF 0 MBSelections. Homo quidam fecit Cœnam magnam (due voci) PDF 0 MBSelections. Preparate corda vestra (due voci) PDF 0 MBSelections. Maria stabat ad monumentum (due voci) PDF 0 MBSelections. Currebant duo simul (due voci) PDF 0 MBSelections. O quam magnum et admirabile (due voci) PDF 0 MBSelections. Vidi speciosam (due voci) PDF 0 MBSelections. Confitebor tibi Domine (due voci) PDF 0 MBSelections. Exaudi Deus orationem meam (due voci) PDF 0 MBSelections. Ecce nunc benedicite Dominum (due voci) PDF 0 MB
Confitemini Domino. Complete Score PDF 0 MBConfitemini Domino. Continuo PDF 0 MB
Selections. Ave Maria gratia plena (tre voci) PDF 0 MBSelections. Alleluia cantemus jubilemus (tre voci) PDF 0 MBSelections. Venite populi (tre voci) PDF 0 MBSelections. Regina cœli (tre voci) PDF 0 MBSelections. Tota pulchra es (tre voci) PDF 0 MBSelections. Ave clementissima Regina Maria (tre voci) PDF 0 MBSelections. Lætamini vos o cæli (tre voci) PDF 0 MB
Selections. Verbum caro factum est (quattro voci) PDF 0 MBSelections. In spiritu humilitatis (quattro voci) PDF 0 MBSelections. Congratulamini mihi omnes qui diligitis Dominum (quattro voci) PDF 0 MBSelections. Congratulamini mihi omnes et congaudete mecum (quattro voci) PDF 0 MB
Wikipedia
Giovanni Battista Riccio (Giambattista Riccio) (late 16th century – after 1621) was a musician and composer of the early Baroque era, resident in Venice, most notable for his development of instrumental forms, particularly utilizing the recorder.
No details are available regarding the early part of his life, but he must have been born in the late sixteenth century.
Records show that he was appointed as organist at the Scuola di San Giovanni Evangelista, Venice, in 1609, when he was the preferred choice over Gabriel Sponga (a nephew of Francesco Usper). He was probably also a violinist.
Riccio is known to have published three books of vocal and instrumental music in Venice. These books include his instrumental works for recorder—unusual for Venetian music at the time, although Giovanni Picchi also wrote for the instrument.
The initial publication date of Riccio's Primo Libro is unknown, but the reprint dating from 1612 survives. The majority of the first book is allotted to vocal works, but in the revised edition two new instrumental canzonas are appended. One is his first known piece for recorder—a canzone for two flautini.
His Secondo Libro, also published in Venice, appeared in 1614.
His Terzo libro delle Divine Lodi published in 1620 and 1621 is the most widely known today. It comprises thirty-six vocal works and a further twelve instrumental pieces mostly described as canzonas. Most feature two main instruments (such as recorder, cornetto, violin, trombone or sometimes contemporary bassoon or dulcian). One canzona entitled La Grimantea con il tremolo is one of the first pieces to make use of the tremolo technique for the 'Flautin e Fagoto' (recorder and bassoon).
Dedications in his works suggest Riccio knew other composers such as Giovanni Picchi, Alessandro Grandi, Giovanni Battista Grillo and Giacomo Finetti. Some of his canzonas quote from larger-scale works by Giovanni Gabrieli.