Psalm 146

Psalm 146 in A major (WAB 37) by Anton Bruckner is a psalm setting for double mixed choir, soloists and orchestra. It is a setting of verses 1 to 11 of a German version of Psalm 147, which is Psalm 146 in the Vulgata.

It is not known what occasion prompted Bruckner to compose this large-scale work or whether there was any performance in Bruckner's lifetime. The composition was presumably initiated during the St. Florian period (c. 1850) and completed in c. 1856 (at the latest 1858) in Linz, when Bruckner was studying with Simon Sechter.

When it was written, for whom, and why it was allowed to languish unperformed are all unanswered questions. Its cantata-like structure ... and stylistic affinity with the Missa solemnis place it in the late St. Florian years, though its enormous dimensions ... are difficult to reconcile with the resources of the monastery.

A sketch of the work is stored in the archive of Wels. An incomplete manuscript and a completed copy with annotations are stored in the archive of the Österreichische Nationalbibliothek. A critical edition was published by Paul Hawkshaw in 1996 in Band XX/4 of the Gesamtausgabe.

The first performance of Bruckner's Psalm 146 by Wolfgang Riedelbauch with the Hans-Sachs-Chor, the Lehrergesangverein Nürnberg and the Nürnberger Symphoniker occurred in the Meistersingerhalle of Nürnberg on 28 November 1971. Six months later another performance by the same ensembles was recorded in the Colosseum-Studio and put on LP. Other performances occurred in May 1975.A second wave of performances occurred about twenty years later by Heinz Wallberg with the Niederösterreichiches Tonkünstler Orchester and the choir of the Wirtschaftsuniversität, first in Vienna on 10 November 1991 and one day later in Baden bei Biel, Switzerland.The American premiere by Leon Botstein with the American Symphony Orchestra and the Canticum Novum Singers occurred about three years later, on 13 January 1995. The American premiere used the score prepared by Hawkshaw for the Bruckner's Gesamtausgabe.Twenty years later, during the 25th Ebrach Summer Music Festival, a next performance by Gerd Schaller with the Philharmonie Festiva orchestra and the Philharmonic Choir of Munich occurred on 6 September 2015. Recordings of Wallberg's, Botstein's and Schaller's live performances are put in the Bruckner archive.

Lob Gottes wegen seiner Wohlthaten (Praise God for his well-doings)

Psalm 146 is the largest of Bruckner's psalm settings. The 652-bar long work in A major is scored for SSAATTBB choir and SATB soloists and orchestra (1 flute, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 4 trombones, timpani and strings). The work (total duration about 30 minutes) is divided into six parts:

As in the Missa solemnis there are clear influences of Haydn and Schubert, particularly in the ariosos. There are in the Finale two passages with brass instrument chords followed by an Alleluja, for which Bruckner drew his inspiration from the Hallelujah of Händel's Messiah, on which he often improvised on organ.

For the first time Bruckner is using a full orchestra, with yet some archaism such as the use of horns (part 4) and trombones (part 6) in homophony with the choir. "[The] closing Alleluja ... is Bruckner's most extended fugue prior to the Fifth Symphony." The five-minute long fugue is more mature than the quite formal fugues of Bruckner's previous works – a consequence of Sechter's tuition. Bruckner uses, e.g., an inversion of the theme in its development.

Psalm 146 is also remarkable as the first piece in which Bruckner experimented with organic thematic integration on a large scale ... [It] also deserves to be heard more often for the lovely string pianissimo in its opening bars that foreshadows the beginning of both the D minor and F minor Masses.

There are two available recordings: