Composers

Dioclesian

Composer: Purcell Henry

Instruments: Voice Mixed chorus Orchestra

Tags: Operas

#Parts
#Arrangements

Download free scores:

Complete. Complete Score PDF 28 MBComplete. Complete Score PDF 22 MBComplete. Acts I-IV PDF 12 MBComplete. Act V, Entries 1-4 PDF 10 MB
First Musick. Complete Score PDF 0 MB
Complete. Complete Score PDF 5 MBComplete. Color Cover PDF 3 MB
Aria: Since from my dear Astrea's sight (Act V, No.31). Complete Score PDF 0 MB
Overture. Complete Score PDF 0 MB
Aria: Since from my dear Astrea's sight (Act V, No.31). Complete Score PDF 0 MB

Parts for:

AllViolinViolaCello

Arrangements:

Other

Selections. Recorder(4) (R.D. Tennent)Chaconne - Two in One upon a Ground (Act III). Recorder(2) + Basso continuo (Teuling, Arnold den)Chaconne - Two in One upon a Ground (Act III). Recorder(3) (R.D. Tennent)Symphony for Flutes; With Dances and Song. Recorder(4) (R.D. Tennent)Chaconne - Two in One upon a Ground (Act III). Recorder(6) + Basso continuo (Teuling, Arnold den)What Shall I Do? (Act III). Cello + Piano (David Popper)Chaconne - Two in One upon a Ground (Act III). Recorder(5) + Basso continuo (Teuling, Arnold den)Chaconne - Two in One upon a Ground (Act III). Recorder(2) + Basso continuo (Unknown)Chaconne - Two in One upon a Ground (Act III). Harpsichord (Teuling, Arnold den)First Musick. Harpsichord + Oboe (Rondeau, Michel)Chaconne - Two in One upon a Ground (Act III). Recorder(2) + Basso continuo (Unknown)What Shall I Do? (Act III). Cello + Piano + Violin (David Popper)
Wikipedia
Dioclesian (The Prophetess: or, The History of Dioclesian) is a tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play The Prophetess, by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian. It was premiered in late May 1690 at the Queen's Theatre, Dorset Garden. The play was first produced in 1622. Choreography for the various dances was provided by Josias Priest, who worked with Purcell on several other semi-operas.
Betterton reworked the play extensively, making room for a great deal of Purcell's music, notably in the 'monster' scene at the end of Act II and the final Masque about the victory of Love, which remained popular until well into the eighteenth century.
The premier production had a Prologue written by John Dryden that was suppressed after only one performance; it was far too critical of King William's military campaign in Ireland.
The story is ostensibly about the struggle for power in Ancient Rome, but actually about the universal struggle between love and duty. Delphia, a prophetess, foretells that Diocles, a footsoldier, will become emperor after he kills a "mighty boar" and marry Delphia's niece Drusilla, who is in love with him. Diocles takes the prophecy seriously, and starts slaughtering pigs. As it turns out, a soldier called Volutius Aper (Aper=boar) has murdered the old emperor, and Diocles kills Aper in revenge. As a reward for this action he is made co-emperor and renames himself Dioclesian. He ignores his promise to marry Drusilla, and courts his co-emperor's sister the princess Aurelia instead. This angers Delphia, who brings the wedding ceremony to a stop by conjuring a storm and a monster. She then causes the princess to fall in love with Diocles' rival Maximinian, and the Persians to defeat the Roman army. Diocles realises the error of his ways, routs the invaders, cedes his half of the throne to Maximinian, and moves to Lombardy with Drusilla.
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