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</script><h1>Fantasiestücke , Op. 12<h2><h2>Composer: <a href="http://en.instr.scorser.com/C/String+quintet/Robert+Schumann/All/Alphabeticly.html">Schumann Robert</a></h2><h2>Instruments: <a href="http://en.instr.scorser.com/SS/Piano/All/All.html">Piano</a> </h2><h2>Tags: <a href="http://en.instr.scorser.com/SS/String+quintet/All/Fantasia.html">Fantasia</a> </h2><div class="hd"><a href="#arr">#Arrangements</a></div><div class="clear10"></div><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/110906.html" target="_blank"">Selections. 1. Des Abends (The Evening) PDF 0 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/104425.html" target="_blank"">Selections. 3. Warum? (Why?) PDF 0 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/536539.html" target="_blank"">Selections. 2. Aufschwung PDF 3 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/601611.html" target="_blank"">Selections. 1. Des Abends (Au soir) PDF 0 MB</a><div class="clear10"></div><a rel="nofollow" href="http://en.instr.scorser.com/D/642362.html" target="_blank"">Selections. 3. Warum? (Why?) PDF 0 MB</a><div class="clear10"></div><h2 id="arr"><h2>Arrangements:</h2></h2><h3>Other</h3><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Friedrich+Gr%c3%bctzmacher/Cello%2bPiano.html">Aufschwung (No.2).  Cello + Piano (Friedrich Grützmacher)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Gouin%2c+Pierre/Clarinet%2bPiano.html">Warum? (No.3).  Clarinet + Piano (Gouin, Pierre)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Albert+Fischer/Cello%2bPiano.html">Warum? (No.3).  Cello + Piano (Albert Fischer)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Friedrich+Gr%c3%bctzmacher/Cello%2bPiano.html">Warum? (No.3).  Cello + Piano (Friedrich Grützmacher)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Fuentes+Flores%2c+Adri%c3%a1n/Clarinet%2bFlute%2bPiano.html">Complete.  Clarinet + Flute + Piano (Fuentes Flores, Adrián)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Hans+Sitt/Piano%2bViolin.html">Warum? (No.3).  Piano + Violin (Hans Sitt)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Francisco+T%c3%a1rrega/Guitar.html">Des Abends (No.1).  Guitar (Francisco Tárrega)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Richard+Klugescheid/Cello%2bPiano%2bViolin.html">Warum? (No.3).  Cello + Piano + Violin (Richard Klugescheid)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Stefan+Apke/Guitar.html">Aufschwung (No.2).  Guitar (Stefan Apke)</a><a href="http://en.instr.scorser.com/Ar/String+quintet/Robert+Schumann/Fantasiest%c3%bccke+%2c+Op.+12/Theodore+Moses+Tobani/Orchestra.html">Warum? (No.3).  Orchestra (Theodore Moses Tobani)</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Fantasiestücke,_Op._12">Wikipedia</a><div class="p"><a href="http://en.instr.scorser.com/C/String+quintet/Robert+Schumann/All/Popularity.html">Robert Schumann</a>'s Fantasiestücke, Op. 12, is a set of eight pieces for piano, written in 1837. The title was inspired by the 1814–15 collection of novellas, essays, treatises, letters, and writings about music, Fantasiestücke in Callots Manier (which also included the complete Kreisleriana, another source of inspiration for Schumann) by one of his favourite authors, <a href="http://en.instr.scorser.com/C/String+quintet/E.+T.+A.+Hoffmann/All/Popularity.html">E. T. A. Hoffmann</a>. Schumann dedicated the pieces to Fräulein Anna Robena Laidlaw, an accomplished and attractive 18-year-old Scottish pianist with whom Schumann had become good friends.</div><div class="p">Schumann composed the pieces with the characters Florestan and Eusebius in mind, representing the duality of his personality. Eusebius depicts the dreamer in Schumann while Florestan represents his passionate side. These two characters parlay with one another throughout the collection, ending self-reflectively with Eusebius in "Ende vom Lied".</div><div class="p">1. "Des Abends" ("In the Evening") in D♭ major / Sehr innig zu spielen (Play very intimately)</div><div class="p">2. "Aufschwung" ("Soaring", literally "Upswing") in F minor / Sehr rasch (Very rapidly)</div><div class="p">3. "Warum?" ("Why?") in D♭ major / Langsam und zart (Slowly and tenderly)</div><div class="p">4. "Grillen" ("Whims") in D♭ major / Mit Humor (With humor)</div><div class="p">5. "In der Nacht" ("In the Night") in F minor / Mit Leidenschaft (With passion)</div><div class="p">6. "Fabel" ("Fable") in C major / Langsam (Slowly)</div><div class="p">7. "Traumes Wirren" ("Dream's Confusions") in F major / Äußerst lebhaft (Extremely lively)</div><div class="p">8. "Ende vom Lied" ("End of the Song") in F major / Mit gutem Humor (With good humor)</div></body></html>